Saturday, July 28, 2012

Black Marigolds

11th century : A free interpretation of the Chauraspanchasika

Even now
My thought is all of this gold-tinted king's daughter
With garlands tissue and golden buds,
Smoke tangles of her hair, and sleeping or waking
Feet trembling in love, full of pale languor;
My thought is clinging as to a lost learning
Slipped down out of the minds of men,
Labouring to bring her back into my soul.

Even now
If I see in my soul the citron-breasted fair one
Still gold-tinted, her face like our night stars,
Drawing unto her; her body beaten about with flame,
Wounded by the flaring spear of love,
My first of all by reason of her fresh years,
Then is my heart buried alive in snow.

Even now
If my girl with lotus eyes came to me again
Weary with the dear weight of young love,
Again I would give her to these starved twins of arms
And from her mouth drink down the heavy wine,
As a reeling pirate bee in fluttered ease
Steals up the honey from the nenuphar.

Even now
I bring her back, ah, wearied out with love
So that her slim feet could not bear her up;
Curved falls of her hair down on her white cheeks;
In the confusion of her coloured vests
Speaking that guarded giving up, and her scented arms
Lay like cool bindweed over against my neck.

Even now
I bring her back to me in her quick shame,
Hiding her bright face at the point of day;
Making her grave eyes move in watered stars,
For love's great sleeplessness wandering all night,
Seeming to sail gently, as that pink bird,
Down the water of love in a harvest of lotus.

Even now
If I saw her lying all wide eyes
And with collyrium the indent of her cheek
Lengthened to the bright ear and her pale side
So suffering the fever of my distance,
Then would my love for her be ropes of flowers, and night
A black-haired lover on the breasts of day.

Even now
I see the heavy startled hair of this reed-flute player
Who curved her poppy lips to love dances,
Having a youth's face madding like the moon
Lying at her full; limbs ever moving a little in love,
Too slight, too delicate, tired with the small burden
Of bearing love ever on white feet.

Even now
She is present to me on her beds,
Balmed with the exhalation of a flattering musk,
Rich with the curly essence of santal;
Girl with eyes dazing as the seeded-wine,
Showing as a pair of gentle nut-hatches
Kissing each other with their bills, each hidden
By turns within a little grasping mouth.

Even now
She swims back in the crowning hour of love
All red with wine her lips have given to drink,
Soft round the mouth with camphor and faint blue
Tinted upon the lips, her slight body,
Her great live eyes, the colourings of herself
A clear perfection; sighs of musk outstealing
And powdered wood spice heavy of Cashmir.

Even now
I see her; fair face blond like gold
Rich with small lights, and tinted shadows surprised
Over and over all of her; with glittering eyes
All bright for love but very love-weary,
As it were the conjuring disk of the moon when Rahu ceases
With his dark stumbling-block to hide her rays.

Even now
She is art-magically present to my soul
And that one word of strange heart's ease, good-bye,
That in the night, in loth moving to go,
And bending over to a golden mouth,
I said softly to the turned away
Tenderly tired hair of this king's daughter.

Even now
My eyes that hurry to see no more are painting, painting
Faces of my lost girl. O golden rings,
That tap against cheeks of small magnolia leaves,
O whitest so soft parchment where
My poor divorced lips have written excellent
Stanzas of kisses, and will write no more.

Even now
Death sends me the flickering of powdery lids
Over wild eyes and the pity of her slim body
All broken up with the weariness of joy;
The little red flowers of her breasts to be my comfort
Moving above scarves, and for my sorrow
Wet crimson lips that once I marked as mine.

Even now
By a cool noise of waters in the spring
The asoka with young flowers that feign her fingers
And bud in red; and in the green vest pearls kissing
As it were rose leaves in the gardens of God; the shining at night
Of white cheeks in the dark; smiles from light thoughts within,
And her walking as of a swan; these trouble me.

Even now
The pleased intimacy of rough love
Upon the patient glory of her form
Racks me with memory; and her bright dress
As it were yellow flame, which the white hand
Shamefastly gathers in her rising haste,
The slender grace of her departing feet.

Even now
When all my heavy heart is broken up
I seem to see my prison walls breaking
And then a light, and in that light a girl
Her fingers busied about her hair, her cool white arms
Faint rosy at the elbows, raised in the sunlight,
And temperate eyes that wander far away.

Even now
I seem to see my prison walls come close,
Built up of darkness, and against that darkness
A girl no taller than my breast and very tired,
Leaning upon the bed and smiling, feeding
A little bird and lying slender as ash-trees,
Sleepily aware as I told of the green
Grapes and the small bright-coloured river flowers.

Even now
I see her, as I used, in her white palace
Under black torches throwing cool red light,
Woven with many flowers and tearing the dark.
I see her rising, showing all her face
Defiant timidly, saying clearly;
Now I shall go to sleep, good-night, my ladies.

Even now
Though I am so far separate, a flight of birds
Swinging from side to side over the valley trees,
Passing my prison with their calling and crying,
Bring me to see my girl. For very bird-like
Is her song singing, and the state of a swan
In her light walking, like the shaken wings
Of a black eagle falls her nightly hair.

Even now
I know my princess was happy. I see her stand
Touching her breasts with all her flower-soft fingers,
Looking askance at me with smiling eyes.
There is a god that arms him with a flower
And she was stricken deep. Her, oh die here.
Kiss me and I shall be purer than quick rivers.

Even now
They chatter her weakness through the two bazaars
Who was so strong to love me. And small men
That buy and sell for silver being slaves
Crinkle the fat about their eyes; and yet
No Prince of the Cities of the Sea has taken her,
Leading to his grim bed. Little lonely one,
You clung to me as a garment clings, my girl.

Even now
Only one dawn shall rise for me. The stars
Revolve to-morrow's night and I not heed.
One brief cold watch beside an empty heart
And that is all. This night she rests not well;
Oh, sleep; for there is heaviness for all the world
Except for the death-lighted heart of me.

Even now
My sole concern the slipping of her vests,
Her little breasts the life beyond this life.
One night of disarray in her green hems,
Her golden cloths, outweighs the order of the earth,
Making of none effect the tides of the sea.
I have seen her enter the temple meekly and there seem
The flag of flowers that veils the very god.

Even now
I mind the coming and talking of wise men from towers
Where they had thought away their youth. And I, listening,
Found not the salt of the whispers of my girl,
Murmur of confused colours, as we lay near sleep;
Little wise words and little witty words
Wanton as water, honeyed with eagerness.

Even now
I call to mind her weariness in the morning
Close lying in my arms, and tiredly smiling
At my disjointed prayer for her small sake.
Now in my morning the weariness of death
Sends me to sleep. Had I made coffins
I might have lived singing to three score.

Even now
The woodcutter and fisherman turn home,
With on his axe the moon and in his dripping net
Caught yellow moonlight. The purple flame of fire
Calls them to love and sleep. From the hot town
The maker of scant songs for bread wanders
To lie under the clematis with his girl.
The moon shines on her breasts, and I must die.

Even now
I have a need to make up prayers, to speak
My last consideration of the world
To the great thirteen gods, to make my balance
Ere the soul journeys on. I kneel and say:
Father of Light. Leave we it burning still
That I may look at you. Mother of the Stars,
Give me your feet to kiss; I love you, dear.

Even now
I seem to see the face of my lost girl
With frightened eyes, like a wood wanderer,
In travail with sorrowful waters, unwept tears
Labouring to be born and fall; when white face turned
And little ears caught at the far murmur,
The pleased snarling of the tumult of dogs
When I was buried away down the white road.

Even now
When slow rose-yellow moons looked out at night
To guard the sheaves of harvest and mark down
The peach's fall, how calm she was and love worthy.
Glass-coloured starlight falling as thin as dew
Was wont to find us at the spirit's starving time
Slow straying in the orchard paths with love.

Even now
Love is a god and Rati the dark his bride;
But once I found their child and she was fairer,
That could so shine. And we were each to each
Wonderful and a presence not yet felt
In any dream. I knew the sunset earth
But as a red gold ring to bear my emerald
Within the little summer of my youth.

Even now
I marvel at the bravery of love,
She, whose two feet might be held in one hand
And all her body on a shield of the guards,
Lashed like a gold panther taken in a pit
Tearfully valiant, when I too was taken'
Bearding her black-beard father in his wrath,
Striking the soldiers with white impotent hands.

Even now
I mind that I loved cypress and roses, dear,
The great blue mountains and the small grey hills,
The sounding of the sea. Upon a day
I saw strange eyes and hands like butterflies;
For me at morning larks flew from the thyme
And children came to bathe in little streams.

Even now
Sleep left me all these nights for your white bed
And I am sure you sistered lay with sleep
After much weeping. Piteous little love,
Death is in the garden, time runs down,
The year that simple and unexalted ran till now
Ferments in winy autumn, and I must die.

Even now
I mind our going, full of bewilderment
As who should walk from sleep into great light,
Along the running of the winter river,
A dying sun on the cool hurrying tide
No more by green rushes delayed in dalliance,
With a clear purpose in his flower-flecked length
Informed, to reach Nirvana and the sea.

Even now
I love long black eyes that caress like silk,
Ever and ever sad and laughing eyes,
Whose lids make such sweet shadow when they close
It seems another beautiful look of hers.
I love a fresh mouth, ah, a scented mouth,
And curving hair, subtle as a smoke,
And light fingers, and laughter of green gems.

Even now
I mind asking: Where love and how love Rati's priestesses?
You can tell me of their washings at moon-down
And if that warm basin have silver borders.
Is it so that when they comb their hair
Their fingers, being purple-stained, show
Like coral branches in the black sea of their hair?

Even now
I remember that you made answer very softly,
We being one soul, your hand on my hair,
The burning memory rounding your near lips;
I have seen the priestesses of Rati make love at moon-fall
And then in a carpeted hall with a bright gold lamp
Lie down carelessly anywhere to sleep.

Even now
I have no surety that she is not Mahadevi
Rose red of Siva, or Kapagata
The wilful ripe Companion of the King,
Or Krishna's own Lakshmi, the violet-haired.
I am not certain but that dark Brahma
In his high secret purposes
Has sent my soft girl down to make the three worlds mad
With capering about her scented feet.

Even now
Call not the master painters from all the world,
Their thin black boards, their rose and green and grey,
Their ashes of lapis ultramarine, Their earth of shadows the umber. Laughing at art
Sunlight upon the body of my bride,
For painting not nor any eyes for ever.
Oh warm tears on the body of my bride.

Even now
I mind when the red crowds were passed and it was raining
How glad those two that shared the rain with me;
For they talked happily with rich young voices
And at the storm's increase, closer and with content,
Each to the body of the other held
As there were no more severance for ever.

Even now
The stainless fair appearance of the moon
Rolls her gold beauty over an autumn sky
And the stiff anchorite forgets to pray;
How much the sooner I, if her wild mouth
Tasting of the taste of manna came to mine
And kept my soul at balance above a kiss.

Even now
Her mouth careless scented as with lotus dust
Is water of love to the great heat of love,
A tirtha very holy, a lover's lake
Utterly sacred. Might I go down to it
But one more time, then should I find a way
To hold my lake for ever and ever more
Sobbing out my life beside the waters.

Even now
I mind that the time of the falling of blossoms started my dream
Into a wild life, into my girl;
Then was the essence of her beauty spilled
Down on my days so that it fades not,
Fails not, subtle and fresh, in perfuming
That day, and the days, and this the latest day.

Even now
She with young limbs as smooth as flower pollen,
Whose swaying body is laved in the cool
Waters of languor, this dear bright-coloured bird,
Walks not, changes not, advances not
Her weary station by the black lake
Of Gone Forever, in whose fountain vase
Balance the water-lilies of my thought.

Even now
Spread we our nets beyond the farthest rims
So surely that they take the feet of dawn
Before you wake and after you are sleeping
Catch up the visible and invisible stars
And web the ports the strongest dreamer dreamed,
Yet is it all one, Vidya, yet it is nothing.

Even now
The night is full of silver straws of rain,
And I will send my soul to see your body
This last poor time. I stand beside our bed;
Your shadowed head lies leaving a bright space
Upon the pillow empty, your sorrowful arm
Holds from your side and clasps not anything.
There is no covering upon you.

Even now
I think your feet seek mine to comfort them.
There is some dream about you even now
Which I'll not hear at waking. Weep not at dawn,
Though day brings wearily your daily loss
And all the light is hateful. Now is it time
To bring my soul away.

Even now
I mind that I went round with men and women,
And underneath their brows, deep in their eyes,
I saw their souls, which go slippng aside
In swarms before the pleasure of my mind;
The world was like a flight of birds, shadow or flame
Which I saw pass above the engraven hills.
Yet was there never one like to my woman.

Even now
Death I take up as consolation.
Nay, were I free as the condor with his wings
Or old kings throned on violet ivory,
Night would not come without beds of green floss
And never a bed without my bright darling.
 Most fit that you strike now, black guards,
And let the fountain out before the dawn.

Even now
I know that I have savoured the hot taste of life
Lifting green cups and gold at the great feast.
Just for a small and a forgotten time
I have had full in my eyes from off my girl
The whitest pouring of eternal light.
The heavy knife. As to a gala day.

--E. Powys Mathers

Black Marigolds
And sometimes we look to the end of the tale that there should be marriage-feasts, and find only, as it were, black marigolds and a silence. --Azeddin el Mocadecci
To My Wife
Nineteen hundred years ago, when Bhartrihari was writing, Chauras, a young Brahman poet, lived at the Court of King Sundava in Kanchinpur, and loved Vidya, the king's daughter. It is said that on the discovery of their love Chauras was imprisoned and executed; and that it was in the last few hours of his life that he composed his love lament, the Chaurapanchasika: "the Fifty Stanzas of Chauras." Though the poem which is printed here has verses of direct, almost literal translation, it would be fairer to Chauras to consider it, in its entirety, as an interpretation rather than as a translation of his work; an attempt to bring over into an English poem the spirit of mournful exaltation which informs his Sanskrit leave-taking. I have tried to imitate the abrupt rise from earth which his poem makes about the fifteenth stanza; and I have also tried, by not letting my verse become a coherent lyric poem in the English sense, to keep his disjointed air, as of a set-form sequence, in which the stanzas are bound together only by a thread of feeling. Asia knows nothing of the long lyric, save in that sense which could describe Rossetti's "House of Life" or Shakespeare's Sonnets. The first "shloke" of each stanza in the original starts with adyapi, a word of reminiscence, and this gives to the poem a recurring monontone of introspection, which I hope my Even now also suggests. My rendering was finished in 1915, in two or three sessions on a box by the stove in hutments; and I have not cared to risk a discrepancy of moods in more luxurious minutes and places. "Black Marigolds" is an isolated experiment, which tries to reinvigorate a few very old leaves of sad writing; and of its nature it stands apart from the Asiatic street songs and love songs which I have translated in "Coloured Stars", which has been published; and in the less tentative "Garden of Bright Waters", which Mr Blackwell will publish in the Spring. Lincoln's Inn Fields, 1919 E.P.M. * * * * Even now My thought is all of this gold-tinted king's daughter With garlands tissue and golden buds, Smoke tangles of her hair, and sleeping or waking Feet trembling in love, full of pale languor; My thought is clinging as to a lost learning Slipped down out of the minds of men, Labouring to bring her back into my soul. Even now If I see in my soul the citron-breasted fair one Still gold-tinted, her face like our night stars, Drawing unto her; her body beaten about with flame, Wounded by the flaring spear of love, My first of all by reason of her fresh years, Then is my heart buried alive in snow. Even now If my girl with lotus eyes came to me again Weary with the dear weight of young love, Again I would give her to these starved twins of arms And from her mouth drink down the heavy wine, As a reeling pirate bee in fluttered ease Steals up the honey from the nenuphar. Even now I bring her back, ah, wearied out with love So that her slim feet could not bear her up; Curved falls of her hair down on her white cheeks; In the confusion of her coloured vests Speaking that guarded giving up, and her scented arms Lay like cool bindweed over against my neck. Even now I bring her back to me in her quick shame, Hiding her bright face at the point of day: Making her grave eyes move in watered stars, For love's great sleeplessness wandering all night, Seeming to sail gently, as that pink bird, Down the water of love in a harvest of lotus. Even now If I saw her lying all wide eyes And with collyrium the indent of her cheek Lengthened to the bright ear and her pale side So suffering the fever of my distance, Then would my love for her be ropes of flowers, and night A black-haired lover on the breasts of day. Even now I see the heavy startled hair of this reed-flute player Who curved her poppy lips to love dances, Having a youth's face madding like the moon Lying at her full; limbs ever moving a little in love, Too slight, too delicate, tired with the small burden Of bearing love ever on white feet. Even now She is present to me on her beds, Balmed with the exhalation of a flattering musk, Rich with the curdy essence of santal; Girl with eyes dazing as the seeded wine, Showing as a pair of gentle nuthatches Kissing each other with their bills, each hidden By turns within a little grasping mouth. Even now She swims back in the crowning hour of love All red with wine her lips have given to drink, Soft round the mouth with camphor and faint blue Tinted upon the lips, her slight body, Her great live eyes, the colourings of herself A clear perfection; sighs of musk outstealing And powdered wood spice heavy of Kashmir. Even now I see her; far face blond like gold Rich with small lights, and tinted shadows surprised Over and over all of her; with glittering eyes All bright for love but very love weary, As it were the conjuring disk of the moon when Rahu ceases With his dark stumbling block to hide her rays. Even now She is art-magically present to my soul, And that one word of strange heart's cease, goodbye, That in the night, in loth moving to go, And bending over to a golden mouth, I said softly to the turned away Tenderly tired hair of this king's daughter. Even now My eyes that hurry to see no more are painting, painting Faces of my lost girl. O golden rings That tap against cheeks of small magnolia-leaves, O whitest so soft parchment where My poor divorced lips have written excellent Stanzas of kisses, and will write no more. Even now Death sends me the flickering of powdery lids Over wild eyes and the pity of her slim body All broken up with the weariness of joy; The little red flowers of her breasts to be my comfort Moving above scarves, and for my sorrow Wet crimson lips that once I marked as mine. Even now By a cool noise of waters in the spring The Asoka with young flowers that feign her fingers And bud in red; and in the green vest pearls kissing As it were rose leaves in the gardens of God; the shining at night Of white cheeks in the dark; smiles from light thoughts within, And her walking as of a swan: these trouble me. Even now The pleased intimacy of rough love Upon the patient glory of her form Racks me with memory; and her bright dress As it were yellow flame, which the white hand Shamefastly gathers in her rising haste, The slender grace of her departing feet. Even now When all my heavy heart is broken up I seem to see my prison walls breaking And then a light, and in that light a girl Her fingers busied about her hair, her cool white arms Faint rosy at the elbows, raised in the sunlight, And temperate eyes that wander far away. Even now I seem to see my prison walls come close, Built up of darkness, and against that darkness A girl no taller than my breast and very tired, Leaning upon the bed and smiling, feeding A little bird and lying slender as ash trees, Sleepily aware as I told of the green Grapes and the small bright coloured river flowers. Even now I see her, as I used, in her white palace Under black torches throwing cool red light, Woven with many flowers and tearing the dark. I see her rising, showing all her face Defiant timidly, saying clearly: Now I shall go to sleep, goodnight, my ladies. Even now Though I am so far separate, a flight of birds Swinging from side to side over the valley trees, Passing my prison with their calling and crying, Bring me to see my girl. For very bird-like Is her song singing, and the state of a swan In her light walking, like the shaken wings Of a black eagle falls her nightly hair. Even now I know my princess was happy. I see her stand Touching her breasts with all her flower-soft fingers, Looking askance at me with smiling eyes. There is a god that arms him with a flower And she was stricken deep. Here, oh die here. Kiss me and I shall be purer than quick rivers. Even now They chatter her weakness through the two bazaars Who was so strong to love me. And small men That buy and sell for silver being slaves Crinkles the fat about their eyes; and yet No Prince of the Cities of the Sea has taken her, Leading to his grim bed. Little lonely one, You cling to me as a garment clings; my girl. Even now Only one dawn shall rise for me. The stars Revolve tomorrow's night and I not heed. One brief cold watch beside an empty heart And that is all. This night she rests not well; Oh, sleep; for there is heaviness for all the world Except for the death-lighted heart of me. Even now My sole concern the slipping of her vests, Her little breasts the life beyond this life. One night of disarray in her green hems, Her golden cloths, outweighs the order of earth, Making of none effect the tides of the sea. I have seen her enter the temple meekly and there seem The flag of flowers that veils the very god. Even now I mind the coming and talking of wise men from towers Where they had thought away their youth. And I, listening, Found not the salt of the whispers of my girl, Murmur of confused colours, as we lay near sleep; Little wise words and little witty words, Wanton as water, honied with eagerness. Even now I call to mind her weariness in the morning Close lying in my arms, and tiredly smiling At my disjointed prayer for her small sake. Now in my morning the weariness of death Sends me to sleep. Had I made coffins I might have lived singing to three score. Even now The woodcutter and the fisherman turn home, With on his axe the moon and in his dripping net Caught yellow moonlight. The purple flame of fires Calls them to love and sleep. From the hot town The maker of scant songs for bread wanders To lie under the clematis with his girl. The moon shines on her breasts, and I must die. Even now I have a need to make up prayers, to speak My last consideration of the world To the great thirteen gods, to make my balance Ere the soul journeys on. I kneel and say: Father of Light. Leave we it burning still That I may look at you. Mother of the Stars, Give me your feet to kiss; I love you, dear. Even now I seem to see the face of my lost girl With frightened eyes, like a wood wanderer, In travail with sorrowful waters, unwept tears Labouring to be born and fall; when the white face turned And little ears caught at the far murmur, The pleased snarling of the tumult of dogs When I was hurried away down the white road. Even now When slow rose-yellow moons looked out at night To guard the sheaves of harvest and mark down The peach's fall, how calm she was and love worthy. Glass-coloured starlight falling as thin as dew Was wont to find us at the spirit's starving time Slow straying in the orchard paths with love. Even now Love is a god and Rati the dark his bride; But once I found their child and she was fairer, That could so shine. And we were each to each Wonderful and a presence not yet felt In any dream. I knew the sunset earth But as a red gold ring to bear my emerald Within the little summer of my youth. Even now I marvel at the bravery of love. She, whose two feet might be held in one hand And all her body on a shield of the guards, Lashed like a gold panther taken in a pit Tearfully valiant, when I too was taken; Bearding her black beard father in his wrath, Striking the soldiers with white impotent hands. Even now I mind that I loved cypress and roses, dear, The great blue mountains and the small grey hills, The sounding of the sea. Upon a day I saw strange eyes and hands like butterflies; For me at morning larks flew from the thyme And children came to bathe in little streams. Even now Sleep left me all these nights for your white bed And I am sure you sistered lay with sleep After much weeping. Piteous little love, Death is in the garden, time runs down, The year that simple and unexalted ran till now Ferments in winy autumn, and I must die. Even now I mind our going, full of bewilderment As who should walk from sleep into great light, Along the running of the winter river, A dying sun on the cool hurrying tide No more by green rushes delayed in dalliance, With a clear purpose in his flower flecked length Informed, to reach Nirvana and the sea. Even now I love long black eyes that caress like silk, Ever and ever sad and laughing eyes, Whose lids make such sweet shadow when they close It seems another beautiful look of hers. I love a fresh mouth, ah, a scented mouth, And curving hair, subtle as a smoke, And light fingers, and laughter of green gems. Even now I mind asking: Where love and how love Rati's priestesses? You can tell me of their washings at moon down And if that warm basin have silver borders. Is it so that when they comb their hair Their fingers, being purple stained, show Like coral branches in the black sea of their hair? Even now I remember that you made answer very softly, We being one soul, your hand on my hair, The burning memory rounding your near lips; I have seen the preistesses of Rati make love at moon fall And then in a carpeted hall with a bright gold lamp Lie down carelessly anywhere to sleep. Even now I have no surety that she is not Mahadevi Rose red of Siva, or Kapagata The wilful ripe Companion of the King, Or Krishna's own Lakshmi, the violet haired. I am not certain but that dark Brahma In his high secret purposes Has sent my soft girl down to make the three worlds mad With capering about her scented feet. Even now Call not the master painters from all the world, Their thin black beards, their rose and green and grey, Their ashes of lapis lazuli ultramarine, Their earth of shadows the umber. Laughing at art Sunlight upon the body of my bride, For painting not nor any eyes for ever. Oh warm tears on the body of my bride. Even now I mind when the red crowds were passed and it was raining How glad those two that shared the rain with me; For they talked happily with rich young voices And at the storm's increase, closer and with content, Each to the body of the other held As there were no more severance for ever. Even now The stainless fair appearance of the moon Rolls her gold beauty over an autumn sky And the stiff anchorite forgets to pray; How much the sooner I, if her wild mouth Tasting of the taste of manna came to mine And kept my soul at balance above a kiss. Even now Her mouth carelessly scented as with lotus dust Is water of love to the great heat of love, A tirtha very holy, a lover's lake Utterly sacred. Might I go down to it But one time more, then should I find a way To hold my lake for ever and ever more Sobbing out my life beside the waters. Even now I mind that the time of the falling of blossoms started my dream Into a wild life, into my girl; Then was the essence of her beauty spilled Down on my days so that it fades not, Fails not, subtle and fresh, in perfuming That day, and the days, and this the latest day. Even now She with young limbs as smooth as flower pollen, Whose swaying body is laved in the cool Waters of languor, the dear bright-coloured bird, Walks not, changes not, advances not Her weary station by the black lake Of Gone Forever, in whose fountain vase Balance the water-lilies of my thought. Even now Spread we our nets beyond the farthest rims So surely that they take the feet of dawn Before you wake and after you are sleeping Catch up the visible and invisible stars And web the ports the strongest dreamer dreamed, Yet it is all one, Vidya, yet it is nothing. Even now The night is full of silver straws of rain, And I will send my soul to see your body This last poor time. I stand beside your bed; Your shadowed head lies leaving a bright space Upon the pillow empty, your sorrowful arm Holds from your side and clasps at anything. There is no covering upon you. Even now I think your feet seek mine to comfort them. There is some dream about you even now Which I'll not hear at waking. Weep not at dawn, Though day brings wearily your daily loss And all the light is hateful. Now it is time To bring my soul away. Even now I mind that I went round with men and women, And underneath their brows, deep in their eyes, I saw their souls, which go slipping aside In swarms before the pleasure of my mind; The world was like a flight of birds, shadow or flame Which I saw pass above the engraven hills. Yet there was never one like to my girl. Even now Death I take up as consolation. Nay, were I free as the condor with his wings Or old kings throned on voilet ivory, Night would not come without beds of green floss And never a bed without my bright darling. It is most fit that you strike now, black guards, And let this fountain out before the dawn. Even now I know that I have savoured the hot taste of life Lifting green cups and gold at the great feast. Just for a small and a forgotten time I have had full in my eyes from off my girl The whitest pouring of eternal light . The heavy knife. As to a gala day. Translated from the Sanskrit of Chauras (Chaura-panchasika, 1st century) by Powys Mathers, Love Songs of Asia, Knopf, 1946. Pub. Basil Blackwell, Oxford 1919

Tuesday, May 1, 2012

Kabir selection


Chalti Chakki Dekh Kar, Diya Kabira Roye
Do Paatan Ke Beech Mein,Sabit Bacha Na Koye
Watching the grinding stones, the lamp Kabir Cries
Inside the Two Stones, no one survives

Searching for Evil
Bura Jo Dekhan Me Chala, Bura Naa Milya Koye
Jo Munn Khoja Apnaa, To Mujhse Bura Naa Koye
I went on the search for the bad guy, bad buy I couldn't find
When I searched my mind, then no one is as bad as me

Kabir Washes Clean His Mind
Kabir Man Nirmal Bhaya, Jaise Ganga Neer
Pache Pache Har Phire, Kahat Kabir Kabir
Kabir Washed His Mind Clean, Like The Holy Ganges River
Everyone follows behind, Saying Kabir, Kabir

Tomorrow's Work do Today
Kaal Kare So Aaj Kar, Aaj Kare So Ub
Pal Mein Pralaya Hoyegi, Bahuri Karoge Kub
Tomorrows work do today, today's work now
If the moment is lost, how will the work be done?

Speak such Speach
Aisee Vani Boliye, Mun Ka Aapa Khoye
Apna Tan Sheetal Kare, Auran Ko Sukh Hoye
Speak such words, you lose the minds Ego
Body remains composed, Others Find Peace

Be Slow O Mind
Dheere Dheere Re Mana, Dheere Sub Kutch Hoye
Mali Seenche So Ghara, Ritu Aaye Phal Hoye
Be Slow O mind, Slowly everything happens
Gardner may water garden a hundred times, When the Season comes, there is fruit

God Grant Such Wealth
Sayeen Itna Deejiye, Ja Mein Kutumb Samaye
Main Bhi Bhookha Na Rahun, Sadhu Na Bhookha Jaye
God, give me so, so much wealth, that my community is fed
I don't remain hungry, the Sadhu does not go hungry

If Your Big So What?
Bada Hua To Kya Hua, Jaise Ped Khajoor
Panthi Ko Chaya Nahin, Phal Laage Atidoor
If You are Big so what? Just like a date tree
No shade for travelers, fruit is hard to reach

As Oil is in the Seed
Jaise Til Mein Tel Hai, Jyon Chakmak Mein Aag
Tera Sayeen Tujh Mein Hai, Tu Jaag Sake To Jaag
Like the Oil is inside the Seed, Just as the Fire is Inside the Flint Stone
Your God is Inside You, If you have the Power to Wake Up, then Wake Up

Begging is like Dying
Mangan Maran Saman Hai, Mat Koi Mange Beekh
Mangan Se Marna Bhala, Yeh Satguru Ki Seekh
Begging is like dying, Let no one Beg
It is better to die than beg, this is the SatGuru's Message

Maya Mari na Mun Mara
Maya Mari Na Mun Mara, Mar Mar Gaye Shareer
Asha Trishna Na Mari, Keh Gaye Das Kabir
Neither Maya Died, Nor the Mind Died, Die and die again People/Bodies
Hope and delusion have not died, so said Das Kabir and left

Kabira Stands in the Market Place
Kabira Khara Bazaar Mein, Mange Sabki Khair
Na Kahu Se Dosti, Na Kahu Se Bair
Kabira Stands in the market place, Asks for everyone's prosperity
Neither special friendship nor enmity for anyone

Studying Books the World has Died
Pothi Padh Padh Kar Jag Mua, Pandit Bhayo Na Koye
Dhai Aakhar Prem Ke, Jo Padhe so Pandit Hoye
Reading Books and Scriptures everyone died, No one became Pandit
Two and Half Words of Love, Who ever reads, Pandit he becomes

In Sorrow all Pray
Dukh Mein Simran Sab Kare, Sukh Mein Kare Na Koye
Jo Sukh Mein Simran Kare, Tau Dukh Kahe Ko Hoye
While Suffering everyone Prays and Remembers Him, in joy no one does
If one prays and remembers Him in happiness, why would sorrow come?

Guru the Wash Man
Gur Dhobi Sikh Kapda, Saboo Sirjan Har
Surti Sila Pur Dhoiye, Nikse Jyoti Apaar
Guru is the wash man, Sikh is the cloth , God the soap
Wash the mind thoroughly clean, Out Comes The Glow of Truth

Alive one Sees
Jeevat Samjhe Jeevat Bujhe, Jeevat He Karo Aas
Jeevat Karam Ki Fansi Na Kaati, Mue Mukti Ki Aas  
Alive one sees, alive one knows, find your liberation while alive
If yu don’t cut yur noose while alive, how will you get liberation on death?
Akath Kahani Prem Ki, Kutch Kahi Na Jaye
Goonge Keri Sarkara, Baithe Muskae
Inexpressible is the story of Love , It goes without Saying
Like the dumb guy who eat sweet Sarkara, he only Smiles

Worry will Destroy you
Chinta Aisee Dakini, Kat Kaleja Khaye
Vaid Bichara Kya Kare, Kahan Tak Dawa Lagaye
Worry is such a Thief, it eats one's heart
What can the poor doctor do, How far will his medicine reach?

Kabir, Don't Be Proud
Kabira Garv Na Keejiye, Uncha Dekh Aavaas
Kaal Paron Punyah Letna, Ouper Jamsi Ghaas
Kabir , Don't be so proud and vain, Looking at your high mansion
Tomorow you'll lie under feet, On top will grow Grass

Dont be Proud
Kabira Garv Na Keejiye, Kaal Gahe Kar Kes
Na Jaane Kit Mare Hai, Kya Des Kya Pardesh
Kabir , Don't be so proud and vain, The clutches of Time are dark
Who knows where it will kill , Whether at home or abroad

Nothing is Kabir's Doing
Kabira Kiya Kutch Na Hote Hai, Ankiya Sab Hoye
Jo Kiya Kutch Hote Hai, Karta Aur Koye
On Kabir's saying nothing happens , What I don't do does come to pass
If anything happens as if my doing, It is done by someone else

Like the Pupil in the Eye
Jyon Naino Mein Putli, Tyon Maalik Ghat Mahin
Moorakh Log Na Janhin, Baahar Dhudhan Jahin
Like the pupil is in the eyes , Your God lives inside you,
The ignorant don't know this, they search Him on the outside

When You Came to the World
Jab Tun Aaya Jagat Mein, Log Hanse Tu Roye
Aise Karni Na Kari, Pache Hanse Sab Koye
When you came in to this world , Everyone laughed while you cried
Don't do such work, That they laugh when you are gone
 
The Pain of Separation
Pehle Agan Birha Ki, Pachhe Prem Ki Pyas
Kahe Kabir Tub Janiye, Naam Milan Ki Aaas
First the pain of separation, then the thirst for Love
Says Kabir, only then will you know Joy of the Union.

The Fire in the Ocean
Aag Jo Lagi Samand Mein, Dhuan Na Pargat Hoye
So Jane Jo Jarmua, Jaki Lagi Hoye
The Ocean is on Fire, The Smoke is not Visible
He Knows Who Has Been there and been Burnt

Save the Wealth in this Moment
Kabir So Dhan Sanchiye, Jo Aage Ko Hoye
Sees Charaye Potli, Le Jaat Na Dekhya Koye
Kabir, save the wealth that remains in this Moment
Departing with a bag of material wealth, no one has yet been seen.
 
 Hope Lives, World Dies
Aasa Jive Jag Marey, Log Marey Mar Jayee
Soyee Sube Dhan Sanchate, So Ubrey Jey Khayee
Hope yet lives, the world dies, people die and die again
Perish yet hoarding wealth, spend and freedom attain

If I say One
Ek Kahun To Hai Nahin, Do Kahun To Gaari 
Hai Jaisa Taisa Rahe, Kahe Kabir Bichari  
If I say one, It is not; If I say two, it will be a violation
Let 'It' be whatever 'It' is, so says Kabir contemplating

House of Love
Kabir Yeh Ghar Prem Ka, Khala Ka Ghar Nahin
Sees Utaare Hath Kar, So Pasey Ghar Mahin
Kabir, this is the House of Love , Not the house of your Aunt
Who has dropped his barriers, He can pass in to the House

Mind  
Maala To Kar Mein Phire, Jeebh Phire Mukh Mahin
Manua To Chahun Dish Phire, Yeh To Simran Nahin
The rosary rotating by the hand, the tongue twisting in the mouth,
With the mind wandering everywhere, this isn't meditation

The Rosary Bead of Wood
Kabir Maala Kaath Kee, Kahi Samjhave Tohi
Man Na Firave Aapna, Kaha Firave Mohi
Kabir, the rosary made of wooden beads, what can it teach you?
If you don't control your minds motion, why control the beads motion?

Duality
Jab Mein Tha Tab Hari Nahin, ab Hari Hai Mein Nahin
Sab Andhiyara Mit Gaya, Jab Deepak Dekhya Mahin
When I was, then Hari (God) was not, Now Hari is and I am not
All the darkness dissolved, When I saw the light within.
  
Shaving
Keson Kaha Bigadia, Je Moonde Sau Baar
Man Ko Kahe Na Moondiye, Jaamein Vishey Vikaar
What harm have the hair done, you shave them hundred times 
Why not shave the mind, there grow unchecked countless poisonous thoughts   

Mind
Moond Munddavat Din Gaye, Ajhun Na Miliya Raam
Raam Naam Kahu Kya Karey, Je Man Ke Aurey Kaam
Shaving the head Ages have passed, yet no union with God
Recitation of Gods Name is futile, when the mind is doing something else

Sleep
Kabir Soota Kya Kare, Koore Kaaj Niwaar
Jis Panthu Tu Chaalna, Soyee Panth Samwaar
Kabir, why do you sleep? Leave the useless tasks
Be focused on the path which you were meant to tread

Sad
Kabira Teri Jhompri Gal Katiyan Ke Paas
Jo Karenge So Bharenge Tu Kyon Bhayo Udaas
Kabir, Your Hut Is Next to the Butchers
Who does, he will face the consequnces, Why are you sad?

Warrior
Kabir Soyee Soorma, Man Soon Maande Jhoojh
Panch Pyada Paari Le, Door Kare Sab Dooj
Kabir, He alone is the Warrior , who takes on the mind head-on
Crushing the sensual five, all duality gone

Monday, April 2, 2012

Swami Ji Session on Relationships

Satisfaction is of 2 types : Satisfaction of the ego (that comes from things like car, possession and things - but it is never lasting and one always feels like having more and more - and it becomes a never ending quest) and the satisfaction that comes from relationships (which makes one feel worthy and is much more lasting). Relationships involve mutually satisfying role expectations.

To operate in this world you have to be conscious of others and, when you do that, you cannot avoid being conscious of yourself too. You constantly judge yourself  and feel happy or otherwise depending on what others say and think of us.  But then you give the control of how you feel about yourself in the hands of others. When the source of your happiness is from objects and other people, your happiness is bound to be fleeting. Most of us continuously feel inadequate. That makes us put an agenda in every relationship. You want every interaction and every relationship to make you happy. You expect every person to please you. Thus you become a self centered person : you want everything and everyone to make you happy.

What is the alternative ? It is to practice non violence. Even making a demand is a violence. Ask, have I done enough to make a demand? Are you ready to accept if a demand is not accepted? Be kind and yield and let go. Too much choice is also bad. Treat others as you expect to be treated. Be the change you want to see in others. What you want to see in others is your responsibility too.

The more you follow the law of life, the happier will you be. 

  

Thursday, March 8, 2012

Meaning of Luck


Professor Richard Wiseman, University of Hertfordshire

Why do some people get all the luck while others never get the breaks they deserve ? Ten years ago, I set out to examine luck. I wanted to know why some people are always in the right place at the right time, while others consistently experience ill fortune. I placed advertisements in national newspapers asking for people who felt consistently lucky or unlucky to contact me. Hundreds of extraordinary men and women volunteered for my research and over the years, I have interviewed them, monitored their lives and had them take part in experiments.

The results reveal that although these people have almost no insight into the causes of their luck, their thoughts and behavior are responsible for much of their good and bad fortune. Take the case of seemingly chance opportunities. Lucky people consistently encounter such opportunities, whereas unlucky people do not.

I carried out a simple experiment to discover whether this was due to differences in their ability to spot such opportunities. I gave both lucky and unlucky people a newspaper, and asked them to look through it and tell me how many photographs were inside. I had secretly placed a large message halfway through the newspaper saying: "Tell the experimenter you have seen this and win $50." This message took up half of the page and was written in type that was more than two inches high. It was staring everyone straight in the face, but the unlucky people tended to miss it and the lucky people tended to spot it.

Unlucky people are generally more tense than lucky people and this anxiety disrupts their ability to notice the unexpected and they miss opportunities because they are too focused on looking for something else. They go to parties' intent on finding their perfect partner and so miss opportunities to make good friends. They look through newspapers determined to find certain types of job advertisements and miss other types of jobs.

Lucky people are more relaxed and open, and therefore see what is there rather than just what they are looking for. My research eventually revealed that lucky people generate good fortune via four principles. They are skilled at creating and noticing chance opportunities, make lucky decisions by listening to their intuition, create self-fulfilling prophesies via positive expectations, and adopt a resilient attitude that transforms bad luck into good.

Towards the end of the work, I wondered whether these principles could be used to create good luck. I asked a group of volunteers to spend a month carrying out exercises designed to help them think and behave like a lucky person.Dramatic results! These exercises helped them spot chance opportunities, listen to their intuition, expect to be lucky,  and be more resilient to bad luck. One month later, the volunteers returned and described what had happened. The results were dramatic: 80% of people were now happier, more satisfied with their lives and, perhaps most important of all, luckier. The lucky people had become even luckier and the unlucky had become lucky. Finally, I had found the elusive "luck factor".

1) Listen to your gut instincts - they are normally right
2) Be open to new experiences and breaking your normal routine
3) Spend a few moments each day remembering things that went well
4) Visualize yourself being lucky before an important meeting or telephone call.

"Happiest people are not those who have no problems or things fall perfect for them … but those who learn to cherish with things that are less than perfect."